Tin Pan Alley

STATUS Designated Individual Landmark

West 28th Street between Fifth and Sixth Avenues

DATE: c. 1839-1853

STYLE: Italianate

Designated: December 10, 2019

Tin Pan Alley (West 28th Street between Fifth and Sixth Avenues) was where music publishers, composers and songwriters worked from about 1885 to roughly the 1950’s. Many notable people found work at Tin Pan Alley including George and Ira Gershwin, Harry Warren, Vincent Youmans, Al Sherman, Irving Berlin, Dorothy Fields, Gussie Lord Davis, and many more.

On December 10, 2019 the Landmarks Preservation Commission designated five buildings on Tin Pan Alley, 47 (built 1852), 49 ( built in 1852), 51 (built in 1852), 53 (built in 1839) and 55 (built in 1859) West 28th Street between Broadway and Sixth Avenue as Individual Landmarks.


Residential Origins

The buildings that still exist on the North Side of the Street, nos. 41-51, were built c. 1852-1853, a very early date for Italianate style rowhouses in New York (Litchfield Villa which helped popularize the Italianate style in New York was completed in 1854).

One early resident of the block  is believed to be William Gardiner Jones (1784-1870) and his wife Cornelia (Herring) Jones (1785-1866).  The Jones were from prominent  18th-century New York families (Jones Street in Greenwich Village is named after their immediate family). They are believed to have lived at 49-51 West 28th street with their son, William W. Jones, MD (1813-1891) until their deaths.

The Music and Entertainment Industry Takes Over

The first music publisher to move to the block was M. Witmark and Sons, who moved uptown from 14th Street to 49-51 West 28th Street in 1893, becoming the first publisher to set up shop in the block.

For a time during the 1890’s, Thomas Edison’s New York office for moving pictures was located at number 43.  It has been reported that Edison shot early films on the roof.  In addition to the American Mutoscope studio on 13th and Broadway, this would have been one of the first places in New York City used for the shooting of motion pictures.

By 1900, Twenty-eighth Street knew the largest concentration of popular-music publishers any single street had known up to that time, 14th Street not excluded.

Music publishers occupied buildings on both sides of West 28th Street, and some could be found in offices around the corner on Broadway, or just west of Sixth Avenue.  At one time or another, between 1893 and 1910, the following publishers were located on the Alley (note that several moved from one address to another). The source for these addresses is David A. Jasen’s  Tin Pan Alley: An Encyclopedia of the Golden Age of American Song (Taylor & Francis, 2003) as well as copies of covers of sheet music on file at the New York City Landmarks Preservation Commission, in the “Brill Building” research file.


For more information please see our post A Brief-ish History of Tin Pan Alley


View our Cultural Landmarks video on Tin Pan Alley

 

STATUS Designated Individual Landmark

Take Action

Add the next LPC meeting to your calendar.

Let your local representative know you care.
nyc.gov

Share your photos of this neighborhood

Help preserve New York’s architectural history with a contribution to HDC

$10 $25 $50
Other >
The Neighborhood

Madison Square North

Today’s Madison Square North neighborhood reflects successive waves of development, the earliest dating to the year Madison Square Park was created—1847. Until very recently, the neighborhood comprised almost exclusively buildings that pre-date 1930. From the park’s opening through the 1920s, Madison Square North evolved from...

Aaron Dexter, Aaron Douglas, Abolitionist, Academic Classic, Adamesque, Addisleigh Park, Admiral's Row, African American, Al Smith, American Aesthetic, American Art ... VIEW ALL

Explore the Neighborhood >

Local Voices

“I don’t know what the City would be without HDC. [They] testified before LPC time after time and helped us focus on the right issues. We would not be an historic district without HDC! ”

Doreen Gallo: DUMBO Neighborhood Alliance

Local Voices

“Use HDC as a resource because they know what they are doing and can offer advice on how to go about creating a district from every front: architectural, political, LPC, and the media. I had floundered prior to my involvement with this invaluable organization.”

Fern Luskin: Lamartine Place Historic District; Friends of Lamartine Place & Gibbons Underground Railroad Site

Local Voices

“HDC provided guidance and shared information during that process—we knew which Council members were going one way or another and we changed a few minds. I don’t think NoHo would have had as cohesive a district had it not been for HDC’s aid.”

Zella Jones: NoHo Historic District; NoHo East; and NoHo Extension

Local Voices

“I remember Richard saying at a meeting, we have someone here from HDC, Nadezhda Williams, Director of Preservation and Research, to help us. She said to us, ‘You are not the only ones going through this.’ HDC included us in an enormous community”

Erika Petersen: West End Preservation Society

Local Voices

"HDC has begun a series of projects to highlight the Bronx's architectural and cultural history. From booklet's and research highlighting specific sites and historic districts to the HDC's symposium in October 2018 to the latest community-based committee to look into further possible sites to qualify for landmarking, the HDC has established projects that will serve the Bronx community well."

Elena Martinez
City Lore, Folklorist
Bronx Music Heritage Center, Co-Artistic Director

Local Voices

"Welcome2TheBronx is grateful for the advocacy done by the Historic Districts Council on behalf of the people of The Bronx. Through their deep connections and understanding of the importance of preserving our local histories, The Bronx has been able to have several spotlights shown on endangered communities as gentrification creeps into the borough."

Ed García Conde,
founder and Executive Director,
Welcome2TheBronx